who played with bill monroe

Bill Monroe is the father of bluegrass. Just down the road, in Rosine cemetery, Bill, his mother and father, and all of his brothers and … Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure.The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. As his brothers and sisters had moved away, after bouncing among uncles and aunts, Monroe settled in with his disabled uncle Pendleton Vandiver, often accompanying him when Vandiver played the fiddle at dances. Bill Monroe, byname of William Smith Monroe, (born Sept. 13, 1911, Rosine, Ky., U.S.—died Sept. 9, 1996, Springfield, near Nashville, Tenn.), American singer, songwriter, and mandolin player who invented the bluegrass style of country music.. “Bill Monroe: King of BlueGrass Music,” interview with Doug Benson in Ewing, Tom, The Bill Monroe Reader, 2000. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. Even after the folk revival faded in the mid-1960s, it left a loyal audience for bluegrass music. Charlie Cline played fiddle banjo, guitar and probably bass. David Dougherty - filled in and played banjo for Bill Monroe on Johnny Cash's TV show in December in 1972. Monroe also kept a hectic touring schedule. Maybe the mandolin player was influenced more by Sam Bush. On a chilly autumn afternoon in November 1985, the “Father of Bluegrass” returned to his farm in Goodlettsville, Tennessee, after having lunch with his wife, Della, at nearby Mason’s Restaurant. Monroe recorded two albums of duets in the 1980s; the first featured collaborations with country stars such as Emmylou Harris, Waylon Jennings, and the Oak Ridge Boys, while the second paired him with other prominent bluegrass musicians. His long career with Earl Scruggs and earlier with Bill Monroe made him a legend. Crowe and the New South before starting his own band Kentucky Thunder. He is often referred to as The Father of Bluegrass. Cash once called Mr. Terry "a dear friend for years" and described him as "one of a kind." In 1949, after signing with Decca Records, Monroe quickly regrouped, entering the "golden age" of his career with what many consider the classic "high lonesome" version of the Blue Grass Boys, featuring the lead vocals and rhythm guitar of Jimmy Martin, the banjo of Rudy Lyle (replacing Don Reno), and fiddlers such as Merle "Red" Taylor, Charlie Cline, Bobby Hicks and Vassar Clements. More than 150 musicians played in the Blue Grass Boys over the nearly 60 years of Monroe's performing career. He stated, "I think Bill Monroe's importance to American music is as important as someone like Robert Johnson was to blues, or Louis Armstrong. Here’s a great interview with Bobby about the early days with Bill Monroe. [1] [2] Contents Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill was resigned to playing the less desirable mandolin. He was one of nine children. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California. For more than half a century, being a Guitarists included none other than Jimmy Martin from 1950-1954, then Carter Stanley (briefly) before Eddie Mayfield, Jackie Phelps, and Doug Kershaw signed on. Below is a list of Monroe’s Blue Grass Boys who played with the band throughout the decades, men who proudly called themselves a “Blue Grass Boy.”. Bill Monroe And The Blue Grass Boys* Featuring Del McCoury, Bill Keith, Joe Stuart & Bessie Lee* With Special Guests Bea Lilly & Melissa Monroe: Bill Monroe And The Blue Grass Boys* Featuring Del McCoury, Bill Keith, Joe Stuart & Bessie Lee* With Special Guests Bea Lilly & Melissa Monroe - Live At Mechanics Hall ‎ (HDCD, Album) Acoustic Disc Monroe gave his blessing to Presley's rock-and-roll cover of the song, originally a slow ballad in waltz time, and in fact re-recorded it himself with a faster arrangement after Presley's version became a hit. I’m not sure how you follow that. As the "father of bluegrass", he was also an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. In the meantime Charlie Cline and Jimmy Martin kept the band together.By the late 1950s, however, Monroe's commercial fortunes had begun to slip. They scored an immediate hit single with the gospel song "What Would You Give In Exchange For Your Soul?" It was with Bill Monroe who he first appeared on records. “Bill Monroe Mandolin Vandalized” was the headline in the country music community. In 1993, he received the Grammy Lifetime Achievement Award, and he was awarded the National Medal of Arts in 1995. Ricky Skaggs started his career playing with Bill Monroe before joining Ralph Stanley's Clinch Mountain Boys. He was inducted into the Country Music Hall of Fame in 1970, the Nashville Songwriters Hall of Fame in 1971, and the Rock and Roll Hall of Fame (as an "early influence") in 1997. Monroe, Haggard, Cash, Young He played with Bill Monroe, Merle Haggard, Johnny Cash and Faron Young. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. William Smith Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. Monroe, who had suffered injuries to his back, left arm and nose, was rushed to General Hospital in Nashville. Also significant in Monroe's musical life was Arnold Shultz, an influential fiddler and guitarist who introduced Monroe to the blues. An actor who starred in The Bill killed himself after becoming depressed at being unable to sell his home, an inquest heard today. ... (Bill played shortstop) Many of his songs were autobiographical (“Letter from My Darling,” “Little Georgia Rose,” “Uncle Pen,” etc.) A 1989 live album celebrated his 50th year on the Grand Ole Opry. It's blues and jazz, and it has a high lonesome sound." While still a mainstay on the Grand Ole Opry, Monroe found diminishing success on the singles charts, and struggled to keep his band together in the face of declining demand for live performances. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. It took him almost four months to recover and resume touring. Artist descriptions on Last.fm are editable by everyone. Jimmie Rodgers, Bob Wills, Hank Williams Sr., and Johnny Cash are the only other performers honored in all three. Monroe's performing career spanned 60 years as a singer, instrumentalist, composer and bandleader. William Smith Monroe (1911-1996) The youngest of eight children, Bill Monroe was born near Rosine, Kentucky, on September 13, 1911. Over the years, Monroe 's band hosted all of the major bluegrass artists of the '50s and '60s, including Flatt & Scruggs, Reno & Smiley, Vassar Clements, Carter Stanley, and Mac Wiseman. The genre takes its name from his band, the "Blue Grass Boys", named for Monroe's home state of Kentucky. The guitarist has little opportunity for inserting much lead playing into Bluegrass songs when playing rhythm, but there are places where there are opportunities for short licks. On that album, Monroe recorded a number of traditional fiddle tunes he had often heard performed by Vandiver. He also played for Emmylou Harris and J.D. A 1989 live album celebrated his 50th year on the Grand Ole Opry. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. Carter Stanley joined the Blue Grass Boys as guitarist for a short time in 1951 during a period when the Stanley Brothers had temporarily disbanded.On January 16, 1953 Monroe was critically injured in a two-car wreck. Wilene "Sally Ann" Forrester (accordion - 1943-3/1946) Publicity photo circa 1944. Bassists Ernie Newton and Bessie … Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. Artists that claimed to be influenced by or to be playing the bluegrass genre were often bullied by Bill Monroe. Uncle Pen has been credited with giving Monroe "a repertoire of tunes that sank into Bill's aurally trained memory and a sense of rhythm that seeped into his bones." He recalled that his brothers insisted he … Click for full version. Fair Play: Bill Monroe: Instrumental: 1981-02-04: Farewell Blues: Paul Mares, Leon Roppolo, Elmer Schoebel: Instrumental: 1990-07-07: Farewell to Long Hollow: Bill Monroe: Instrumental: Monroe's Farewell to Long Hollow: Farther Along: traditional: Gospel: 1962-11-23: Farther On: Feast Here Tonight: The Prairie Ramblers: Song: 1963-05-14: Have a Feast Here Tonight and Rabbit in the Log: Festival … RCA Victor signed the Monroe Brothers to a recording contract in 1936. And his strong rhythm guitar playing helped make bluegrass music the identifiable entity that it is. Bobby Osborne tells his Bill Monroe #mandolin pickup story when he played at the Ryman Auditorium for Glen Duncan #bluegrassmusic #bluegrass One thing we’re blessed to have at #monroemandolincamp is the stories from folks who knew and played with #billmonroe personally. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations— first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina 1934 to 1936. This band recorded a number of bluegrass classics, including "My Little Georgia Rose", "On and On", "Memories of Mother and Dad", and "Uncle Pen", as well as instrumentals such as "Roanoke", "Big Mon", "Stoney Lonesome", "Get Up John" and the mandolin feature "Raw Hide". Kenneth Clayton Baker (June 26, 1926 – July 8, 2011) was an American fiddle player best known for his 25-year tenure with Bill Monroe and his group The Blue Grass Boys. He would often say of new bands that did not perform to his standards, "That ain't no part of nothin'." He died on September 9, 1996, only four days before his 85th birthday. I. n 1938, Bill Monroe and his brother Charlie broke up their successful duet act, the Monroe … Scruggs joined a highly accomplished group that included singer/guitarist Lester Flatt, and would soon include fiddler Chubby Wise, and bassist Howard Watts, who often performed under the name "Cedric Rainwater". Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. Let us know what you think of the Last.fm website. He always considered himself the father and caretaker of bluegrass. Another important early musical … Monroe characterized the genre as: " Scottish bagpipes and ole-time fiddlin'. For more than half a century, being a Blue Grass Boy was the crowning achievement of many musicians’ careers; for others, a stepping stone to establishing their own bands. When he entered his home, he … Bill Monroe and the Blue Grass Boys lasted 58 years and saw more than 150 different musicians pass through the band. It's Methodist and Holiness and Baptist. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. Scruggs played the instrument with a distinctive three-finger picking style that immediately caused a sensation among Opry audiences. He recalled that his brothers insisted he should remove four of the mandolin's eight strings so he would not play too loudly.Monroe's mother died when he was ten, followed by his father six years later. Find album reviews, stream songs, credits and award information for Bluegrass 1950-1958 - Bill Monroe on AllMusic ... are the musicians who played with Monroe during those very fertile and adventurous years. Monroe recorded two albums of duets in the 1980s; the first featured collaborations with country stars such as Emmylou Harris, Waylon Jennings, and the Oak Ridge Boys, while the second paired him with other prominent bluegrass musicians. They were playing Bill Monroe’s music. It's origin is attributed to the great Lester Flatt, who played with Bill Monroe and later with his long time friend Earl Scruggs in the Foggy Mountain Boys. 16 on CMT 40 Greatest Men of Country Music. Travelers from around the world regularly visit the Homeplace to learn about Bill Monroe’s early life and family. That same year Bill formed his own band, the Blue Grass Boys. He also played on one recording session as a Blue Grass Boy, laying down eight tracks in February 1945. Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. One such performance includes Alison Brown playing Earl Scruggs’s 1930 Gibson RB-Granada banjo, Ricky Skaggs playing Bill Monroe’s 1923 Gibson F-5 mandolin, and Marty Stuart playing Lester Flatt’s 1950 Martin D-28 guitar. In October 1939, he successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". In retrospect, this lineup of the Blue Grass Boys has been dubbed the "Original Bluegrass Band", as Monroe's music finally included all the elements that characterize the genre, including breakneck tempos, sophisticated vocal harmony arrangements, and impressive instrumental proficiency demonstrated in solos or "breaks" on the mandolin, banjo, and fiddle. Bill Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist who helped create the style of music known as bluegrass. He played a key role in folk music revival and revolutionized the music style of that time by mixing elements of old-time string … Skaggs was only six years old when he first got to perform on stage with Monroe and his band. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. BOBBY HICKS From the “banjo State” of North Carolina, Hicks was with Bill Monroe from 1954-57. Creative Commons Attribution-ShareAlike License. As a singer, songwriter, bandleader, showman, and instrumentalist, no individual is so closely identified with an American musical style as Bill Monroe, the Father of Bluegrass Music. Older brothers Charlie and Birch played the guitar and fiddle, respectively, so Bill took up the smaller mandolin to join his family's informal string band. 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